The smash hit of the holiday season
with the best romance and laughter formula is coming real soon! Yes, the undisputed masterpiece of classical
elegance and magical production of CINDERELLA is back!
As a special pre-Christmas treat,
Ballet Philippines shall
stage anew Alice Reyes’ CINDERELLA on November 28, 2014 – 8 p.m. at the
Tanghalang Nicanor Abelardo, Cultural Center of the Philippines .
CINDERELLA is the best loved fairy
tale of all time about a poor girl whose true worth is recognized not by her
family but by a prince bearing her lost shoe.
“I have always wanted to do a ballet for children –
Cinderella was the perfect material. After all, I can’t think of childhood
without Mother Goose and Cinderella. Working on a full-length ballet patterned
after the traditional classic form presented many problems. The easiest way
would have been to adhere to the Cinderella scenario already established by
such noted choreographers as Petipa, Fokine, Sergeyev and Ashton, among others.
What kept me on track in my version was the one thought that eventually became
a guide: the ballet was for Chris and Sara and Marco and Carlo and little Alice
and all my wonderful little friends who keep bringing “wonder” into my life. I
would like to give them something back in return.”
“Thus, the garden
divertissement with animals dancing for Cinderella; two talented girls playing
the stepsisters rather than men; a warm fun-loving King who wanted
grandchildren; two princely brothers of Prince Charming to lighten the palace
scenes; and lots and lots of dancing.”
“I like Prokofiev and
took immense pleasure in working with his ballet score for Romeo and Juliet.
Although the ballet Cinderella is traditionally choreographed to Prokofiev, I
found his Act II music too heavy and dark. So I turned to Tchaikovsky, the
“ballet composer”, sure that we could find enough music for a full-length
ballet from all his works. After months of listening to various symphonies,
suites and concertos which were researched, unearthed and presented to me by my
collaborator-cum-conspirator, Rudy Vidad, the music score developed. It was
then handed to Frankie Feliciano who bravely translated the material into
logical form for the orchestra to play.” says Alice Reyes, Ballet Philippines ’
founder and Artistic Director Emeritus.
First staged in 1981, CINDERELLA
continued to be produced and performed by Ballet Philippines in 1984, 1989 and 2002.
Now on its fifth re-staging and 33rd
anniversary, the role of Cinderella will be played by Soloist Denise Parungao
and Junior Company Member Monica Amanda Gana. This is Gana's first lead role
with Ballet Philippines ,
while Parungao was last seen in the title role of Ballet Philippines ’ “Giselle” in 2013 and
2014. Playing opposite them as Prince Charming are Principal Dancer Richardson
Yadao and Junior Principal Dancer Earl John Arisola.
To add even more magic to this production,
Madame Isabelle Garachon, wife of the French Ambassador to the Philippines and
former professional dancer, will be playing the role of Cinderella's wicked
stepmother, alternating with Ballet Philippines President Margie Moran
Floirendo.
With a joyful mixture of kings,
princes, fairies, and animals, the three act ballet of Alice Reyes’ CINDERELLA
is set to a collage of music by Pyotr Ilyich Tchaikovsky, who composed some of
the world's greatest ballet music.
Alice Reyes is the visionary founder of
Ballet Philippines
who propelled the company into a national arts institution we can all be proud
of. In the Philippines ,
she established regular season concerts, professionalized dance as a career,
and played a major role in the phenomenal development of dance in the country.
Reyes began her dance training at an early
age and it continued undiminished even while she worked for a Bachelor of Arts
degree in History and Foreign Service at the Maryknoll College
and did postgraduate studies at the Ateneo de Manila University.
With a background in ballet, folk dancing and
jazz, Reyes ventured into the challenging and exciting realm of modern dance. Through
a grant from the John D. Rockefeller III Fund, she went through an extensive
training period in the United States
at the Colorado College under a Hanya Holm scholarship. She
was subsequently awarded a grant from the Music Promotion Foundation of the Philippines , which enabled her to study further
under leading exponents of the medium and earn a Master of Arts in Dance from
the Sarah Lawrence College
under its scholarship program.
Upon her return in 1969, she staged her first
modern dance concert at the CCP. Its success made her decide to remain in the Philippines
and develop the great potential of dance in the country. Since then, her
outstanding performances on stage have provided artists an enriching example to
emulate. The sheer diversity of her choreographic talent has produced highly
acclaimed works ranging from the classics like “Cinderella” and “Romeo and
Juliet”, to Filipino modern works like “Amada”, “Itim-Asu”, “Bayanihan
Remembered”, “Mga Babae”, “Tales of the Manuvu”, and “Rama Hari”. Through her
efforts, dance has become among the country’s respected careers and
distinguished professions. The Filipino dancers have emerged as an
indispensable part of our cultural heritage. In June 20, 2014, Alice Reyes was
declared National Artist for Dance by President Benigno S. Aquino III through
Proclamation No. 807.
Don’t miss this unforgettable and spectacular
ballet production with breathtaking choreography, spectacular sets, costumes
and special effects. Although intended as a ballet for children, both young and
young-at-heart audiences are sure to be enthralled by the lively and humorous
production of ALICE REYES’ CINDERELLA.
It’s utterly alluring and ravishing!
ALICE REYES’ CINDERELLA will be
performed at the Tanghalang Nicanor Abelardo (CCP Main Theater) on the
following dates and times: November 28 (3 pm & 8 pm), November 29 (2 pm
& 6 pm), November 30 (2 pm & 6 pm), December 5 (3 pm & 8 pm),
December 6 (10 am & 6 pm), and December 7 (2 pm & 6 pm).
The
artistic and creative teams of CINDERELLA are led by Alice Reyes (Choreographer
and Librettist), Salvador
Bernal(+) (Set & Costume Designer), ), Monino Duque (Lighting
Designer), Barbara Tan-Tiongco (Technical Director), and Victor Ursabia and
Ramon Victoria (Restagers).
For
bulk reservations, show buys, and inquiries, visit www.ballet.ph or call Ballet Philippines at 551-1003. For
tickets, call the CCP Box Office at 832-3704 or Ticketworld at 891-9999.
Connect to Ballet Philippines online through the
following social media networks:
Facebook: www.facebook.com/balletphilippines
Twitter: @balletph
Instagram: @balletphilippines
YouTube: https://www.youtube.com/user/balletph
The
45th Anniversary Sapphire Season. Rare scenes of power and grace.
Love, valour and redemption. Under the artistic directorship of Paul Alexander
Morales, this is a toast to 45 years of dance excellence!
See you at the ballet!
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