June is declared as Pride Month
for the LGBTQ community. Various
activities where set left and right celebrating this fun filled month. One thing that will never fade is the need
for continual education of the masses regarding the growing and still a challenge
status of HIV infection in the country.
Such is the challenge tackled by these brave theater performers – Artist
Playground.
The cast and people behind Roses for Ben |
This month, they offered 2
gay-themed plays both showing the struggles of those in the gaydom. They started with Laro by Floy Quintos and
ended the month with a hope-filled production of a new musical tackling HIV entitled
ROSES
FOR BEN. Written by Rayne Jarabo
and directed by Roeder Camañag, with musical direction coming from
Jessie Lucas, assisted by Arnold Bacsal and choreographed by Lezlie Dailisan,
with inputs coming from the Red Whistle
team, this production is designed to educate and inform the masses that having
HIV is not the end of the world. You can
still hope and dream for a future . . .a life comfortable despite the disease.
Opening Scene - the cast |
Ben is a young professional who
has a good paying but time consuming job, a beautiful relationship and a future
filled with his dreams and aspiration, when all this came to a startling halt
and turn when he came to know that he is infected due to a past that he can no
longer retract and withdraw. What came after the discovery is the key message
of this production.
The key points of this production
are the following: that HIV doesn’t
choose who it will attach to; that HIV is now a male-2-female-2-male situation –
something that HIV studies has been screaming for nearly a decade now; if you
are going to play make it safe – used condom and stay with your partner is you
have one, if not then pray to all the gods that you be safe; if detected with
HIV then take your medicines on time and in time less you go to a higher cocktail
of drugs; there is a law protecting your identity whenever you decided to have
yourself tested and there is still life after HIV finding.
Despite the nervous attack during
press preview night, the performers delivered their utmost and presented a new
stage material that is both educational and informative. My hands then applauded to the following
performers for the following reasons:
Khen Dels – he played
the role of Jes, the best buddy of Ben.
He maintained his character on and off stage. He was funny and dynamic without overdoing
it. He nearly fell off the chair but was
able to maintain character and control of the scene. Kulang na lang itulak niya si Ben dahil kinuha nito and space niya, but
he did it smoothly that barely no one noticed that slight movement ad lib.
Khen Dels (standing on chair) |
Anna Nicole
Herrera – she played the role of Ms. Queenie - ang babaeng fashionista (love
for shoes), tsimosa-chicadora at bakla all rolled into one. I simply love her! She was funny to watch and very entertaining. She shifted character smoothly.
Jerome Fuguso –
he played the doctor. What was most
notable with this actor is his character delivery before being the doctor - the debunking of the conception on how HIV
is transferred.
Tatlong paraan lang para magkaroon ka ng
HIV. Ang pakikipagtalik sa may HIV, ang masalinan ng dugo na may HIV at kung
pinagbubuntis ka ng ina mo na may HIV. Nakipagtalik ka ba sa tilapia na may
HIV? Nasalinan ka ba ng dugo ng tilapia
na may HIV? May HIV ba ang ina mo ng pinagbubuntis ka? Wala!
Bobby Martino –
played the role of Sir Wency (head of the company where Ben works) and Mang
Boyet (father of Ben). Hands down and he
played both characters with style and grace!
A little control on the singing voice and he is still good. He is Two-Faced personified – the dirty old
Harry and the supportive father.
As Mang Boyet |
Now that is for character
play. For the singing part, I then bow
to the voice quality of Beaulah Mae Saycon (Alice) and Miriam Reyes (Denise, Alice
sister). Then can impart the emotional demand
of the songs given to them to deliver without damaging their vocal gifts in the
process. They both know how to find
harmonic balance when paired with someone, still maintaining the quality
demanded from them as a performer.
As a viewer, I would say that
this new musical piece will still grow and evolve every time it goes on
stage. How it is to be handled and
delivered is on the hands of the director and the performing cast. As long as the purpose of educating and
informing is maintained then this production will continue seeing the
spotlights, various par lamps and stage designs in years to come.
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