As the curtain fell on the last show
of Ballet Philippines’ Sapphire Season, the company bid a tearful farewell to esteemed
principal dancer, Katherine Trofeo. The dancers, scholars, and artistic team
led by Artistic Director Paul Alexander Morales presented her with roses
onstage, one by one as a video highlighting Katherine and her extraordinary
artistry.
Fondly called “Mommy Kit”, she is an
inspiration to everyone around her. As a principal dancer, she not only
showcases exceptional dance technique and exquisite artistry, but she also
possesses a wonderful character which translates into her dancing. Whenever she
performs onstage, she never fails to captivate with her ability to take on a
role and give it new life with her own interpretation. Her portrayal of the
psychic vampire, Gonongleda in “MANHID: The Pinoy Superhero Musical” has been
described as transformative. Gonongleda was her final role as principal dancer
of Ballet Philippines.
Katherine started taking ballet at the
age of 8 under Amelia Yulo and turned professional at the age of 15 with mentor
Enrico Labayen’s Lab Project. Katherine has worked with the finest
choreographers and teachers including
Alan Hineline, Max Luna III, Anatoli Panasiukov, Gener Karingal, Ida
Beltran, Tony Fabella, Maiqui Manosa, Nonoy Froilan, Edna Vida, Denisa Reyes,
Paul Morales, Irene Sabas, Anna Villadolid, Thomas Mayr, Jean Paul
Comelin, Jean Paul Comelin, Graham
Lustig, Stefan Hoff, David Campos Cantero, Michael Chernov, and Gelsey
Kirkland.
With Philippine Ballet Theatre, she
received praise from critics for her performances as Esmeralda in the Asian
premiere of The Hunchback of Notre Dame,
Kitri in Don Quixote, Nikiya in La Bayadere, Odette- Odile in Swan Lake, Ballerina in Paquita, and Cio-Cio San in
Madame Butterfly. She has also performed
in featured roles in Myra Beltran’s Dance Forum, including the Romeo and Juliet
Project and Payatas: Point Counterpoint, a dance video project of Beltran and
film director Carlitos Siguion Reyna during the Global Dance 2002 World Dance
Alliance Festival in Dusseldorf, Germany.
Katherine joined BP in 2008 and
performed lead roles such as Swanilda in Coppelia, Marie in The Nutcraker,
Wendy in Peter Pan, Maria Clara in Crisostomo Ibarra, Manda in Pusong Wagas,
Sita in Rama Hari, Dryad Queen, Kitri in Don Quixote, Aurora in Sleeping Beauty
and the title role in Giselle.
She was twice nominated for
Philstage’s Gawad Buhay Awards in 2011 for Female Featured Performance in a
Modern Dance Production for Encantada and Female Lead Performance in a Modern
Dance Production for Carlo Pacis’ Mithi, and again nominated for the same award
in 2012 for her lead performance in Rama Hari. The role of Titania in Pacis’ A
Midsummer Night’s Dream was created on her.
This, however, is not a goodbye.
Katherine will continue to teach Intermediate Ballet in the Ballet Philippines
Dance School’s Summer Dance Workshop, and has this to say to the supporters of
Ballet Philippines:
“I look forward to watching the
younger dancers bloom and find their own voices in our art form. BP has always
had this culture of excellence and passion for dance. I was very privileged to
have experienced that and humbled by how the creators of the company along with
past directors and ex-dancers keep giving and passing on their knowledge to the
current generation. I look forward to being part of that...of those who keep
coming back and helping "the family" out.”
Connect to Ballet Philippines online
through the following social media networks:
Twitter: @balletph
Instagram: @balletphilippines
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